כניסה עם גוגל
כניסה עם פייסבוק
Felix Mendelssohn Bartholdys Schauspielmusiken : Untersuchungen zu Form und Funktion
Rebecca Rosenthal
עבודת מחקרבחרו את שפת העמוד:
שפה נוכחית
The politics of appropriation
להגדלת הטקסט להקטנת הטקסט- ספר
This text explores the intersection of music and Hellenism in 19th-century Germany. It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity.
| כותר |
The politics of appropriation : German romantic music and the ancient Greek legacy / Jason Geary. |
|---|---|
| מוציא לאור |
New York : Oxford University Press |
| שנה |
2014 |
| הערות |
Description based upon print version of record. Includes bibliographical references and index. English |
| הערת תוכן ותקציר |
Cover The Politics of Appropriation Copyright Dedication CONTENTS ACKNOWLEDGMENTS ABBREVIATIONS Introduction CHAPTER ONE Ancient Greece and the German Cultural Imagination CHAPTER TWO Mendelssohn's Antigone and the Rebirth of Greek Tragedy CHAPTER THREE The Reception of Antigone and the Aesthetics of Appropriation CHAPTER FOUR The Growth of a GenreTaubert's Medea and the Greek Stage Revival in Berlin CHAPTER FIVE Mendelssohn and Oedipus in the Age of Christianity CHAPTER SIX Lachner and the Emergence of a New Athens CHAPTER SEVEN The Wagnerian Turn CHAPTER EIGHT Epilogue The Decline of a GenreNOTES BIBLIOGRAPHY INDEX |
| סדרה |
The New Cultural History of Music |
| היקף החומר |
1 online resource (284 p.) |
| שפה |
אנגלית |
| מספר מערכת |
997010713917805171 |
תצוגת MARC
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