חזרה לתוצאות החיפוש

Exposed Memories Family Pictures in Private and Collective Memory

להגדלת הטקסט להקטנת הטקסט
  • ספר

Within the larger context of cultural memory, family pictures have become one of the most intriguing multi- and interdisciplinary fields of investigation in the past decade. This field brings together artists working in different media (e.g. documentary photography and film, photo-based painting and installations, digital art, collage, montage, comics, etc.) as well as academics, critics, theorists and writers working in a wide range of disciplines including literature, history, art history, sociology, anthropology, psychoanalysis, film and media studies, visual culture studies, gender studies, postcolonial studies, and word and image studies. This volume intends to offer a broad, panoramic view of the topic combining West and East European as well as American perspectives.

כותר Exposed Memories Family Pictures in Private and Collective Memory / edited by Zsófia Bán and Hedvig Turai.
מוציא לאור New York : Central European University Press
מדפיס Baltimore, Md. : Project MUSE
שנה 2010
הערות "Supplemented with two additional essays, this volume is a selection of the presentations given at the conference Exposed Memories: Family Pictures in Private and Collective Memory, organized by the Hungarian section of the International Association of Art Critics (AICA) in conjunction with the International Association of Word and Image Studies (IAWIS) at the Goethe Institute in Budapest (November 10-11, 2006)"--Introd.
Translation of: Exponált emlek : családi kepek a magán- es közössegi emlekezetben.
Includes bibliographical references.
English
הערת תוכן ותקציר Frontmatter -- Contents -- Introduction -- PHOTO AS AUTOBIOGRAPHY -- Incongruous Images: “Before, During, and After” the Holocaust -- Beguiled by Loss: The Burden of Third-Generation Narrative -- The Baghdadi Jew and His Chinese Mistress -- PHOTO AND TEXT -- History, Narration, and the Frozen Moment of Photography in Richard Powers’ Three Farmers on Their Way to a Dance and Theresa Hak Kyung Cha’s Dictée -- Memory and/or Construction: Family Images in W.G. Sebald’s Austerlitz -- PRIVATE AND PUBLIC ARCHIVES -- Virtual Communities of Intimacy: Photography and Immigration -- Buried Images: Photography in the Cult of Memory of the 1956 Revolution -- A Farewell to Private Photography -- EVENTfulness: Family Archives as Events/Folds/Veils -- FAMILY ALBUM -- Visualizing Male Homosexuality in the Family Album -- Please Recycle! On Ágnes Eperjesi’s Family Album -- OBJECT/PHOTO/REALITY -- From Photo to Object: Personal Documents as History-Writing in the Works of Christian Boltanski and Ilya Kabakov -- Home Museum: An Installation by Katarina Šević and Gergely László -- CONTRIBUTORS
היקף החומר 1 online resource (206 p.)
שפה אנגלית
שנת זכויות יוצרים ©2010.
מספר מערכת 997010711250805171
תצוגת MARC

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