Jazz griots
להגדלת הטקסט להקטנת הטקסט- ספר
To the endless questions, theoretical statements, and hypotheses about how Black poets transcribe jazz into the poetic format, this book, while providing a different approach to reading jazz poetry, attempts to answer the question, why do Black poets revert to jazz for poetic material. This book's answer is because jazz is Black History ritualized and performed, and jazz performance is storytelling.
כותר |
Jazz griots : music as history in the 1960s African American poem / Jean-Philippe Marcoux. |
---|---|
מהדורה |
1st ed. |
מוציא לאור |
Lanham, Maryland : Lexington Books |
שנה |
2012 |
הערות |
Description based upon print version of record. Includes bibliographical references and index. English |
הערת תוכן ותקציר |
JAZZ GRIOTS Contents Acknowledgments Introduction Intravernacular Dialogues, Jazz Performativity, and the Griot's Meta-linguistic Praxes Chapter 1 The Sound of Grammar: Blues and Jazz as Meta-languages of Storytelling in Langston Hughes's Ask Your Mama Chapter 2 Move On Up: Free Jazz and Rhythm and Blues Performativities as Creative Acts of Cultural Re-inscription in David Henderson's De Mayor of Harlem Chapter 3 Sister in the Struggle: Jazz Linguistics and the Feminized Quest for a Communicative ""Sound"" in Sonia Sanchez's Home Coming and We A BaddDDD People Chapter 4 Birth of a Free Jazz Nation: Amiri Baraka's Jazz Historiography from Black Magic to Wise Why's Y's Coda Bibliography Index |
היקף החומר |
1 online resource (244 p.) |
שפה |
אנגלית |
שנת זכויות יוצרים |
©2012 |
מספר מערכת |
997010710334705171 |
תצוגת MARC
יודעים עוד על הפריט? זיהיתם טעות?