Dance and Authenticity in Israel and Palestine
להגדלת הטקסט להקטנת הטקסט- ספר
Dance and Authenticity is an ethnography of dance performance and cultural form. It describes how dabkeh , a type of dance performed at Palestinian weddings, became a model for the Israeli Jewish debkah as a means of affirming Israeli Jewish belonging and common society. The Palestinian dabkeh , in turn, acquired nationalist meanings, especially after the 1967 war and the occupation of the West Bank. The book traces the history of these competing, and conflicting, dance forms, basing the argument principally on the ethnographic study of two Palestinian and one Israeli Jewish dance group conducted between 1998 and 1999. The result is a fascinating parallel ethnography, showing how the ethnography of dance forms contributes to evolving notions of collective national and political identity in a context of unequal power.
כותר |
Dance and Authenticity in Israel and Palestine : Performing the Nation / Elke Kaschl. |
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כותרים נוספים |
Performing the Nation |
מהדורה |
1st ed. |
מוציא לאור |
Leiden Boston : BRILL |
שנה |
2003 |
הערות |
Description based upon print version of record. Includes bibliographical references and index. English |
הערת תוכן ותקציר |
Contents Acknowledgments Note on Formalia and Transcription Stage Settings CHAPTER 1. INVESTIGATING THE PERFORMANCE OF NATIONALISM AS A RELATIONAL PROCESS BETWEEN ISRAEL AND PALESTINE CHAPTER 2. STRUGGLING FOR MODERN STATEHOOD: AUTHENTICITY, GENDER AND A TWICE INVENTED TRADITION CHAPTER 3. CHANGING WAYS OF MOVEMENT: THE PALESTINIAN POPULAR DANCE TROUPE EL-FUNOUN, 1979-1999 CHAPTER 4. MAKING PLACE: KARMEI MAKHOL, 1982-1999 CHAPTER 5. IMPROVISING IN BETWEEN: AL-ASAYYEL, 1988-1999 Closing Up Appendix Bibliography Glossary Index |
סדרה |
Social, Economic and Political Studies of the Middle East and Asia 89 |
היקף החומר |
1 online resource (359 p.) |
שפה |
אנגלית |
מספר מערכת |
997010700444505171 |
תצוגת MARC
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