Golden Haggadah
لتكبير النص لتصغير النص-
عنوان
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رقم النظام
987007528056305171
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تم الحفظ بنجاحהפריט קיים באזור האישישגיאהلحفظ المحتوى الرجاء تسجيل الدخول
معلومات حول الهوية:
الاسم الرئيس (بالعبرية)
הגדת הזהב
الاسم الرئيس (باللاتينية)
Golden Haggadah
صِيَغ اسمية أخرى
British Library. Manuscript. Add 27210
British Museum. Manuscript. Add 27210
British Museum. Manuscript. Additional 27210
British Library. Manuscript. Additional 27210
مجموعة المكتبة الوطنية
UHJ
MARC
MARC
مصادر المعلومات
- Kogman-Appel, Katrin. Passover in 14th-century CE Catalonia (Golden Haggadah (British Library Add MS 27210); owes its name to a rich series of biblical scenes on gleaming backgrounds of gold leaf; produced by a Hebrew scribe and an unknown team of artists around 1320 CE, perhaps in Barcelona, for an anonymous patron of great wealth; written in large, typically Sephardic square script; concluding images show a 14th-century CE Sephardic family preparing for the holiday, then at the table reading the text ( (British Library website, 3 March 2020:) )
- Haggadah (Sephardic). Seder Hagadah shel Pesaḥ, 1970:title page, leaf 2 recto (סדר הגדה של פסח = Seder Hagadah shel Pesaḥ) spine (Seder Haggadah shel Pesach [in rom.], Hebrew; Brit. Mus.; Additional 27,210)
- Narkiss, Bezalel. Hebrew illuminated manuscripts in the British Isles, 1982- :volume 1, part 1, page 58 (Golden Haggadah; BL, Add. 27210; Barcelona, c. 1320; Biblical picture cycle, Haggadah, and piyyuṭim; vellum; given by R. Joab Gallico of Asti (near Turin) to his daughter Rosa, on occasion of her marriage to Elijah ben Menahem Rava in Carpo (near Modena), 25 October 1602; up to 1863 in Joseph Almanzi's Collection in Padua; no. 328 in catalogue of his collection; purchased by British Museum from A. Asher & Co. of Berlin in 1864, together with Almanzi Collection) volume 1, part 1, pages 66-67 (two types of decoration carried out in the same workshop, though several artists can be distinguished; 2 artists can be distinguished in full-page panels, one of the earliest consecutive biblical cycles in Hebrew illuminated manuscripts from Spain; art Catalan of beginning of 14th century, influenced mainly by contemporary Parisian style, with a few Italo-Byzantine elements; based on stylistic comparison, our manuscript could be dated to 3rd decade of 14th century; initial-word panels are decorated in archaistic Gothic style very common in Europe around 1300)
- Narkiss, Bezalel. The Golden Haggadah, 1970:title page (Golden Haggadah; 14-century illuminated Hebrew manuscript in British Museum) page ix (one of earliest extant Sephardi Haggadoth; now Add. MS. 27210 in the British Museum) pages 1, etc. (Additional Manuscript 27210; illuminated Hebrew manuscript of Gothic period in Spain; content: codex of 102 folios; first and last leaves are paper fly-leaves, added with the 17th-century binding, the rest on 14th-century parchment; original manuscript in 3 main parts; folios 2-15: miniatures; folios 24-55: Haggadah; folios 16-23, 56-101: piyyutim, liturgical poems; text: square Sephardi script, Haggadah in large letters, typical of Sephardi script of about 1300 AD, piyyutim in small ones; there may have been different scribes in one scriptorium; captions to miniatures and a few corrections to Haggadah text also 14th century; other additions and corrections 16th-17th century, in square Italian script; title page and armorial device page dated 1602; miniatures: 14 full-page miniatures, cycle of 71 episodes from Genesis and Exodus, arranged in 53 panels; 3 additional panels, depicting 5 ritual scenes, follow, short cycle of liturgical scenes; two artists, both belonged to same Northern Spanish workshop, probably in Barcelona; combination of distinct Northern French style and sporadic Italianate elements; stylistic comparisons tend to point to Barcelona as place of execution, date not earlier than 1320, not later than 1335, when Italian style began to influence but not yet dominant; history: never seems to have left Jewish hands until 1864; was in Italy by beginning of 17th century, possibly by late 16th; earliest known owner: Rabbi Joav Gallico, Joav Ben Isaac Gallico of Asti, Duchy of Savoy; probably brought manuscript from Governolo or Mantua to Carpi (or possibly acquired in Carpi), where gave it to son-in-law Eliah, son of Menahem Rava, on his wedding day; 2 years later, it was sold to someone who died 1604, left it to a son, Arieh, who added inscription; remained in region of Modena during 17th century; cited by S.D. Luzzatto in 1864 sale catalogue of manuscripts in collection of Paduan Joseph (Giuseppe) Almanzi (died 1863); no exact record of date acquired by Almanzi; 14 October 1865, collection was bought for British Museum)
- Oxford art online, 3 March 2020(Golden Haggadah; illuminated manuscript of Passover liturgy together with series of liturgical poems to be read during Passover week (London, BL, Add. MS. 27210), possibly made in Barcelona, c. 1320; no colophon; its scribe and patrons are unknown; both marginal decorations and a series of full-page miniatures preceding the text and displaying a fully fledged cycle of biblical illustrations following the books of Genesis and Exodus from the Creation of Man to the Crossing of the Red Sea; stylistically, both types of decoration are indebted to early 14th-century Catalan Gothic art; entry author: Katrin Kogman-Appel)
- Wikipedia, 30 January 2020:British Library (prior to 1973, British Library was part of British Museum; British Library was created 1 July 1973 as result of British Library Act 1972; the Additional Manuscripts series covers manuscripts that are not part of the named collections, and contains all other manuscripts donated, purchased or bequeathed to the Library since 1756)
- The Golden Haggadah, 1997:p. 12 (originating from Barcelona around 1320)
- British Library WWW page, Apr. 4, 2002Hebrew Manuscripts, Almanzi Collection (Golden Haggadah, Catalonia, ca. 1300, Add MS 27210)