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Children's literature and the avant-garde

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  • كتاب

This chapter addresses what an avant-garde for children might look like, and what it might do. It is called "Surrealism for Children: Paradoxes and Possibilities" because the very notion of an avant-garde for children strikes the author as both paradoxical and not, and as both possible and impossible. In making this claim, the author argues with - and revises - his own analysis in The Avant-Garde and American Postmodernity: Small Incisive Shocks (2002), which took for granted that an avant-garde for children was both possible and critically viable. What he once accepted as a certainty, he now

العنوان Children's literature and the avant-garde / edited by Elina Druker, Bettina Kümmerling-Meibauer.
الطبعة 1st ed.
الناشر Amsterdam, Netherlands
Philadelphia, Pennsylvania : John Benjamins Publishing Company
تاريخ الإصدار 2015
ملاحظات Description based upon print version of record.
Includes bibliographical references at the end of each chapters and indexes.
English
رقم الرف Children's Literature and the Avant-Garde
Editorial page
Title page
LCC data
Table of contents
Table of figures
Introduction
What is Avant-garde?
Avant-garde and children's books
Aims of this volume
Selected bibliography
John Ruskin and the mutual influences of children's literature and the avant-garde
The condition of childhood
Influence of improved printing for children
Children's literature and culture as Purveyors of the Grotesque
Political caricaturists as children's book illustrators
Roots of the picturebook in total design
References
Primary sources
Secondary sources
Einar Nerman - From the picturebook page to the avant-garde stageCaricature artist, painter and performer
Crow's Dream - An animal revolution
Darkness and light
From stage designs to picturebooks
Mass culture, children's literature and the avant-garde
Sándor Bortnyik and an inter-war Hungarian children's book
Publication variations
The book
Sándor Bortnyik: Biography and activity
Bortnyik in Germany
Return to Hungary
Hungarian modernism and its origins
Modernism and its relationship to graphic design
Potty és Pötty: Illustrations and textBortnyik and children's books
Conclusion
Acknowledgments
The forgotten history of avant-garde publishing for children in early twentieth-century Britain
Recovering Britain's lost avant-garde legacy
Surrealism and British children's fiction: Jean de Bosschère The City Curious (1920)
Childhood recaptured: Child art and children's literature in Britain
The Émigré effect: Adapting European techniques to British tastes
Avant-garde echoes
Experimental landscapes: Avant-garde arts meet the English landscapeAcknowledgement
The square as regal infant
Kazimir Malevich and the avant-garde infantile
Shape, Geometry, and the Infantile
El Lissitzky and the avant-garde infantile
Vladimir Lebedev and the avant-garde infantile
The 1929 Amsterdam exhibition of early Soviet children's picturebooks
Historical background
Publishing children's books in the early Soviet Union
Early Soviet children's books
Illustrators of Soviet children's booksEarly exhibitions of Soviet children's books
The organization of the 1929 Amsterdam exhibition
The reconstruction of the exhibition
Representativeness
The reception
Conclusions
Appendix
Rupture. ideological, aesthetic, and educational transformations in Danish picturebooks around 1933
A new society, a new child, a new picturebook
The new world presented in Jørgens Hjul
The education of the socialist citizen
Aesthetic appeal in text and image
Toward a pedagogic poetics. Progressive educational ideals in Denmark around 1933
سلسلة Children's Literature, Culture, and Cognition, 2212-9006
Volume 5
الشكل 1 online resource (307 p.)
اللغة الانكليزية
تأريخ حقوق الملكية الفكرية ©2015
رقم النظام 997010718394405171
MARC RECORDS

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