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Gods and groundlings [electronic resource]

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  • كتاب

The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley

العنوان Gods and groundlings [electronic resource] : historical theatrical audiences.
الطبعة 1st ed.
الناشر Tuscaloosa : University of Alabama Press
تاريخ الإصدار c2012
ملاحظات Description based upon print version of record.
Includes bibliographical references.
English
رقم الرف Contents
Introduction - E. Bert Wallace
Making Up the Audience: Spectatorship in Historical Context - Susan Bennett
The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire - Jane Barnette
Prosceniums and Screens: Audience Embodiment into the Digital Age - Becky Becker
Annie Oakley and the Disruption of Victorian Expectations - Lisa Bernd
Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management - Evan Bridenstine
Image - Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience - Michael Jaros
Anxious Audiences and the Early Modern English Transvestite Theatre - Robert I. LublinNeglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment - Paulette Marty
Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare - Natalie Tenner
Shuffling Roles: Alterations and Audiences in Shuffle Along - David S. Thompson
When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion - Christine Woodworth
Contributors
سلسلة Theatre symposium
20
الشكل 1 online resource (128 p.)
اللغة الانكليزية
رقم النظام 997010720358505171
MARC RECORDS

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