العودة إلى نتائج البحث

Opera

لتكبير النص لتصغير النص
  • كتاب

What is opera and how does it work? How has this dramatic form developed and what is its relevance in the modern world? Perfect for music students and opera-goers, this introductory guide addresses these questions and many more, exploring opera as a complete theatrical experience. Organised chronologically and avoiding technical musical terminology, the book clearly demonstrates how opera reflected and reacted to changes in the world around it. A special feature of the volume is the inclusion of illustrative tables throughout. These provide detailed, easy to follow analysis of arias, scenes and acts; visual guides to historical movements; and chronologies relating to genres and individual composers' works. Overall, the book fosters an understanding of opera as a living form as it encounters and uses material from an ever expanding repertoire in time, place and culture.

العنوان Opera / Robert Cannon. [electronic resource]
الناشر Cambridge : Cambridge University Press
تاريخ الإصدار 2012
ملاحظات Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Includes bibliographical references and index.
English
رقم الرف Cover
Cambridge Introductions to Music Opera
Cambridge Introductions to Music
Title
Copyright
Dedication
Contents
Tables
Introduction
Part I The seventeenth and eighteenth centuries
Chapter 1 Pre-operatic forms
Pre-opera: Greek drama
Pre-opera: mediaeval music theatre (liturgical, sacred and secular drama)
Mannerism and the growth of overtly expressive music
Italy: the Intermedii
Strophic song
France and England
Chapter 2 First operatic forms
The stile rappresentativo
Aria, arioso, recitative, singers
First and second practice
Rome and Venice: entertainment and commerce
Monteverdi in Venice (L'incoronazione di Poppea)Cavalli (Giasone)
France: the rule of Lully (Armide)
Germany (Keisers Croesus)
Chapter 3 Formalisation
Towards opera seria: first stage - Apostolo Zeno
The da capo aria
Music and emotion
Sentiment and rhetoric
Handel (Rinaldo)
Opera seria: second stage (Pietro Metastasio)
Libretto
Practicalities
Chapter 4 Reform: the reintegration of elements
Differing aspects of reform
Neo-classical ideals
Internal reform
Rameau (Hippolyte et Aricie)
Jommelli and Traetta
Radical reform
Benda and Gluck
Benda
Gluck: -The poem is no more made for the music than the music for the poem'Orfeo ed Euridice
Alceste
Chapter 5 Comedy and the -real world'
Realism and sentiment
Intermezzi and the opera buffa
Comic opera
Contrascene
The comic intermezzo3
Naples and the opera buffa
The reform of Italian comedy
Galuppi
Piccini
Mozart
The balance of reason and feeling
The da Ponte operas (Così fan tutte)
Chapter 6 Authentic performance
The early music revival
The score
Technical elements
Instruments and instrumentation
Pitch and range
The singer1
Performance conditions
Production2
The audiencePart II The nineteenth century
Chapter 7 Romanticism and Romantic opera in Germany
Revolution and war
History, art and myth
The Industrial Revolution and Nature
Romanticism and pessimism
Romanticism: national and international
Germany
Beethoven and Fidelio
Dramatic structures
Musical dramaturgy in Fidelio
Weber and Der Freischütz
Chapter 8 Opera in nineteenth-century Italy
The primo ottocento (Rossini, Bellini, Donizetti)
The challenge of integrated operatic form
Dramatic aims
The physical nature of music
Situazione and the functions of the libretto
The aria and the -tripartite form'Melody and its problems
Verdi
The role of the librettist
Casting
Staging
Musical form (Macbeth)
Rigoletto: melody, subject and convention
Final innovations (Otello)
Structure, melody and orchestration
Through-composition
Orchestration
Melody
Chapter 9 Grand opéra and the visual language of opera
The role of the Opéra
The development of alternative forms: the Opéra-Comique
Opera in the Revolution and Restoration
Romantic demands
Eugène Scribe and the -pièce bien faite'
Characteristics of stage presentation (Auber, La Muette de Portici)
Spectacle and technical devices
سلسلة Cambridge introductions to music
الشكل 1 online resource (xvii, 431 pages) : digital, PDF file(s).
اللغة الانكليزية
رقم النظام 997010719025205171
MARC RECORDS

أتعرفون المزيد عن هذا العنصر؟ وجدتم خطأ ما؟