EC Comics

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  • Corporate Body
| System number 987012502786405171

Information for Authority record

Name (Latin)
EC Comics
Other forms of name
E.C. Comics Publications
Entertaining Comics
MARC
MARC

Other Identifiers

VIAF: 150486497
Wikidata: Q1274252
Library of congress: no2008170408
Sources of Information
  • OCLC database, Nov. 12, 2008(hdgs.: E.C. Comics Publications (Firm); EC Comics (Firm); E.C. Comics Publications heading derived from the following statement, all in capital letters, on videorecording containers "As originally published by William M. Gaines in E.C. Comics publications")
  • Tales from the crypt [VR] c2004:container (EC Comics)
  • Wikipedia, Nov. 12, 2008(Entertaining Comics; more commonly known as EC Comics; an American publisher of comic books specializing in crime fiction, horror fiction, satire, military fiction, and science fiction from the 1940s through the 1950s, until censorship pressures prompted it to concentrate on the humor magazine Mad; privately owned by Maxwell Gaines and later by his son, William Gaines)

Wikipedia description:

E.C. Publications, Inc. (doing business as EC Comics), is an American comic book publisher. It specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was founded as Educational Comics by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines died in a boating accident in 1947, his son William Gaines took over the company and renamed it Entertaining Comics. He printed more mature stories, delving into horror, war, fantasy, science-fiction, adventure, and other genres. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes (including racial equality, anti-war advocacy, nuclear disarmament, and environmentalism) that anticipated the Civil Rights Movement and the dawn of the 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. Consequently, by 1956, the company ceased publishing all its comic lines except Mad.

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