Vasari, Giorgio, 1511-1574. Vite de' più eccellenti pittori, scultori et architettori

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Information for Authority record

Name (Latin)
Vasari, Giorgio, 1511-1574. Vite de' più eccellenti pittori, scultori et architettori
Other forms of name
Vasari, Giorgio, 1511-1574. Vite dei più eccellenti pittori, scultori e architetti
Vasari, Giorgio, 1511-1574. Vite dei più eccellenti pittori, scultori e architettori
nnaa Vasari, Giorgio, 1511-1574. Vite de' più eccellenti pittori
Vasari, Giorgio, 1511-1574. Vite de piu eccellenti pittori, scultori e architetti
MARC
MARC

Other Identifiers

VIAF: 197676633
Wikidata: Q1645493
Library of congress: n 98090624
Sources of Information
  • Encic. ital.(under Vasari, Giorgio: Vite dei più eccellenti pittori, scultori e architettori)
  • LC in RLIN, 10/17/84(hdg.: Vasari, Giorgio, 1511-1574. Vite de' più eccellenti pittori)
  • Le vite dei più eccellenti pittori, scultori e architetti, 1997 :p. 23 (Le vite de' più eccellenti pittori, scultori, e architettori)
  • Vasari on theatre, 1999:CIP pref. (1st ed., 1550: Le vite de' più eccellenti architetti, pittori et scultori italiani, da Cimabue insino a' tempi nostri; 2nd, rev. and expanded ed., 1568: Le vite de' più eccellenti pittori, scultori et architettori)
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Wikipedia description:

The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori) is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history". Vasari published The Lives in two editions with substantial differences between them; the first edition, two volumes, in 1550 and the second, three volumes, in 1568 (which is the one usually translated and referred to). One important change was the increased attention paid to Venetian art in the second edition, even though Vasari still was, and has ever since been, criticised for an excessive emphasis on the art of his native Florence.

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