Bach, Johann Sebastian, 1685-1750. Johannespassion

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Information for Authority record

Name (Hebrew)
בך, יוהן סבסטין, 1685-1750. יוהנס פסיון
Name (Latin)
Bach, Johann Sebastian, 1685-1750. Johannespassion
Other forms of name
Bach, Johann Sebastian, 1685-1750. Johannespassionen
Bach, Johann Sebastian, 1685-1750. Passion nach dem Evangelisten Johannes
Bach, Johann Sebastian, 1685-1750. Passionsmusik nach dem Evangelisten Johannes
Bach, Johann Sebastian, 1685-1750. Passion according to St. John
Bach, Johann Sebastian, 1685-1750. Passion according to Saint John
Bach, Johann Sebastian, 1685-1750. Passio secundum Joannem
Bach, Johann Sebastian, 1685-1750. St. John Passion
Bach, Johann Sebastian, 1685-1750. Saint John Passion
Bach, Johann Sebastian, 1685-1750. Johannes-Passion
Bach, Johann Sebastian, 1685-1750. Passion selon st. Jean
Bach, Johann Sebastian, 1685-1750. Passion selon saint Jean
Bach, Johann Sebastian, 1685-1750. Passione secondo Giovanni
Bach, Johann Sebastian, 1685-1750. St. John's Passion
Bach, Johann Sebastian, 1685-1750. Saint John's Passion
Bach, Johann Sebastian, 1685-1750. Grosse Passionsmusik nach dem Evangelium Johannis
בך, יוהן סבסטין, 1685-1750. הפסיון על פי יוחנן
בך, יוהן סבסטין, 1685-1750. פסיון על פי יוחנן
MARC
MARC

Other Identifiers

VIAF: 186163872
Wikidata: Q865333
Library of congress: n 82009878
Sources of Information
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Wikipedia description:

The Passio secundum Joannem or St John Passion (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard today in the 1739–1749 version (never performed during Bach's lifetime). Bach first performed the oratorio in 1724 and revised it in 1725, 1730, and 1749, adding several numbers. "O Mensch, bewein dein Sünde groß", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions.

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