Schubert, Franz, 1797-1828. An die Musik

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Information for Authority record

Name (Latin)
Schubert, Franz, 1797-1828. An die Musik
Other forms of name
Schubert, Franz, 1797-1828. Hymne à la musique
Schubert, Franz, 1797-1828. K muzyke
Schubert, Franz, 1797-1828. Muzikai
Schubert, Franz, 1797-1828. To music
Schubert, Franz, 1797-1828. A la musique
MARC
MARC

Other Identifiers

VIAF: 179881214
Wikidata: Q2187379
Library of congress: n 78097110
Sources of Information
  • Grove music online, December 1, 2015(under Songs: D. 547; An die Musik; text, Schober; text incipit, Du holde Kunst; D major; 2 versions: a, March 1817; b, ca. 1817; version b published as op. 88, no. 4 in 1827; version a not published until 1895; with piano accompaniment)
  • Rimantas Siparis (bas) [SR] 196-? (a.e.)container (Muzikai; K muzyke; To music)
  • Deutsch, 1978(547. An die Musik : op. 88, 4)

Wikipedia description:

Franz Schubert composed his lied "An die Musik" (German for "To Music") in March 1817 for solo voice and piano, with text from a poem by his friend Franz von Schober. In the Deutsch catalog of Schubert's works it is number D547. The original key is D major. It was published in 1827 as Opus 88, No. 4, by Thaddäus Weigl. Schubert dedicated the song to the Viennese piano virtuoso Albert Sowinsky on April 24, 1827, a decade after he composed it. A hymn to the art of music, it is one of the best-known songs by Schubert. Its greatness and popularity are generally attributed to its harmonic simplicity, sweeping melody, and a strong bass line that effectively underpins the vocal line. At the end of Gerald Moore's farewell concert in London's Royal Festival Hall in 1967, in which he accompanied Dietrich Fischer-Dieskau, Victoria de los Ángeles and Elisabeth Schwarzkopf, he came out onto the stage alone and played his piano-solo arrangement of "An die Musik" as his parting gift. The poem was not included in the collected editions of Schober's poems, but there is a handwritten copy of it in Vienna. It resembles the second canto of Ernst Schulze's poem "Die bezauberte Rose" (The Enchanted Rose), a poem also known to Schubert as a possible basis for an opera; however, it was published in 1818, so it is unlikely that there was any connection between them for the composer.

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