Bach, Johann Sebastian, 1685-1750. Wo soll ich fliehen hin (Cantata)

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Information for Authority record

Name (Latin)
Bach, Johann Sebastian, 1685-1750. Wo soll ich fliehen hin (Cantata)
Other forms of name
Bach, Johann Sebastian, 1685-1750. Dominica 19 post Trinitatis, BWV 5
Bach, Johann Sebastian, 1685-1750. Kantate am neunzehnten Sonntag nach Trinitatis, BWV 5
Bach, Johann Sebastian, 1685-1750. Cantata for the nineteenth Sunday after Trinity, BWV 5
Bach, Johann Sebastian, 1685-1750. Kantate zum neunzehnten Sonntag nach Trinitatis, BWV 5
Bach, Johann Sebastian, 1685-1750. Kantate am 19. Sonntag nach Trinitatis, BWV 5
Bach, Johann Sebastian, 1685-1750. Kantate zum 19. Sonntag nach Trinitatis, BWV 5
Bach, Johann Sebastian, 1685-1750. Where may I fly, o where?
Bach, Johann Sebastian, 1685-1750. Cantata for the 19th Sunday after Trinity, BWV 5
Bach, Johann Sebastian, 1685-1750. O where shall I now go
Bach, Johann Sebastian, 1685-1750. Where shall I refuge find
Bach, Johann Sebastian, 1685-1750. Cantatas, BWV 5
Bach, Johann Sebastian, 1685-1750. Cantatas, no. 5
MARC
MARC

Other Identifiers

VIAF: 182923021
Wikidata: Q2094394
Library of congress: n 90704516
Sources of Information
  • Grove music online, March 29, 2020(church cantatas: BWV 5, BC A 145, Wo soll ich fliehen hin, chorale (J. Heermann); S, A, T, B, 4vv, tpt da tirarsi, 2 ob, str, bc; first performed October 15, 1724)
  • His Wo soll ich fliehen hin, c1981:t.p. (BWV 5, for Trinity 19)
  • Schmieder(5: Wo soll ich fliehen hin; also choral preludes BWV 646 and 694 with this title; cantatas 48 and 56 for the same Sunday)
  • Schmieder, 1990(5. Wo soll ich fliehen hin; Kantate am 19. Sonntag nach Trinitatis (Dominica 19 post Trinitatis))

Wikipedia description:

Johann Sebastian Bach composed the church cantata (Bach) Wo soll ich fliehen hin (Where shall I flee), BWV 5, in Leipzig for the 19th Sunday after Trinity and first performed it on 15 October 1724. It is based on the penitential hymn "Wo soll ich fliehen hin" by Johann Heermann. Wo soll ich fliehen hin belongs to Bach's chorale cantata cycle, the second cycle during his tenure as Thomaskantor that began in 1723. The text retains the first and 11th stanzas of the chorale unchanged, while the other stanzas were paraphrased into alternating recitatives and arias by an unknown librettist. The cantata in seven movements is scored for SATB soloists and choir, and a Baroque instrumental ensemble of tromba da tirarsi (slide trumpet), two oboes, strings and continuo.

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