Bach, Johann Sebastian, 1685-1750. Chromatische Fantasie und Fuge

Enlarge text Shrink text
  • Title
| System number 987007576985405171

Information for Authority record

Name (Latin)
Bach, Johann Sebastian, 1685-1750. Chromatische Fantasie und Fuge
Other forms of name
Bach, Johann Sebastian, 1685-1750. Chromatische Phantasie und Fuge
Bach, Johann Sebastian, 1685-1750. Fantasia chromatica
Bach, Johann Sebastian, 1685-1750. Chromatic fantasia and fugue
Bach, Johann Sebastian, 1685-1750. Fantaisie chromatique et fugue
Bach, Johann Sebastian, 1685-1750. Kromaatiline fantaasia ja fuuga
Bach, Johann Sebastian, 1685-1750. Fantasia et fuga, harpsichord, BWV 903, D minor
Bach, Johann Sebastian, 1685-1750. Chromatische Fantasie und Fuge, harpsichord, S. 903, D minor
Bach, Johann Sebastian, 1685-1750. Chromatic fantasy & fugue
Bach, Johann Sebastian, 1685-1750. Chromatic fantasy and fugue
MARC
MARC

Other Identifiers

VIAF: 183071093
Wikidata: Q1087598
Library of congress: n 81104088
Sources of Information
  • Bach, J.S. Chromatische Fantasie und Fuge, c1955.
  • Schmieder, 1990(903. Chromatische Fantasie und Fuge d-Moll)

Wikipedia description:

The Chromatic Fantasia and Fugue in D minor, BWV 903, is a keyboard work by Johann Sebastian Bach. It consists of a fantasia followed by a three-voice fugue. The work is often dated to Bach's Köthen period (1717–1723), although its surviving sources indicate that it circulated in more than one form and was probably revised after Bach moved to Leipzig in 1723. The fantasia has a complex source history. It survives in three main versions: the early version BWV 903a or BWV 903.1, an intermediate version now numbered BWV 903.2, and the main version BWV 903 or BWV 903.3. The fugue has a simpler source history and differs only slightly among the surviving sources. The fantasia is organized through passagework, arpeggiation, chromatic voice leading, and recitative-like writing. Its main sections include an opening passagework section, an arpeggiated and modulatory passage, a recitative, and a coda over a tonic pedal point. The fugue is in three voices and develops a chromatic subject through eleven entries. Although the two movements differ in form, commentators have described continuities between them, especially in chromatic procedure, tonal instability, and keyboard figuration. The Chromatic Fantasia and Fugue was admired by early writers on Bach, became prominent in nineteenth-century Bach performance and editing, and has been transcribed for several instruments.

Read more on Wikipedia >