Janssen van Ceulen, Cornelius, 1593-1661
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Information for Authority record
- Benezit, E. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs des tous les temps et tous les pays, 1976(Ceulen (Cornelis Janssens, Janson, Johnson or Jonson van), bapt. London, d. Amsterdam or Utrecht ca. 1664; worked in England 1618-43)
- Bryan, M. Dictionary of painters and engravers, 1904(Janssens, Cornelis, called Janssens van Keulen, or Janson van Keulen, b. 1593, d. bet. 1662 & 1664)
- Clarendon, E. The history of the rebellion, 1840:p. 56 (Jansen; illus.)
- DNB(Janssen (Jonson) Van Ceulen, Cornelius, 1593-1664?; portrait painter)
- Dering, E. A collection of speeches made by Sir Edward Dering Knight and Baronet, in matter of religion, 1642:frontis signed (Cor. Iohnson)
- George Villiers, 1st Duke of Buckingham (1592-1628). Engraving by Jacobus Houbraken after Cornelis Johnson, between 1743 and 1751
- Karen Hearn, "Johnson, Cornelius (bap. 1593, d. 1661)" in: Oxford dictionary of national biography, 2004:(Johnson, Cornelius [Cornelius Jansen, Janssen, or Jonson van Ceulen], painter, baptized in London 14 Oct. 1593, the son of Johanna le Grand and Cornelius Johnson (d. in or before 1605), an exile from Antwerp whose own grandfather, Peter Jansen, had originated in Cologne. The family sometimes used the name Jonson or Jansen van Ceulen ... Johnson is thought to have died in Utrecht on 5 August 1661)
- Union list of artists' names, 9 Mar. 2006:(Preferred form: Janssen van Ceulen, Cornelius (English painter, 1593-1661). Other forms: Cornelius Janssen van Ceulen; Cornelis Janssens van Ceulen; Janssens van Ceulen, Cornelius; Janssens van Ceulen, Cornelis; Jansen van Ceulen, Cornelis, I; Jansen van Ceulen, Cornelis; Jonson van Ceulen, Cornelis; Jonson van Ceulen, Cornelis, I; Jonson van Ceulen, Cornelis I; Jonson van Ceulen, Cornelis, the elder; Jonson van Ceulen, Cornelius; Johnson van Ceulen, Cornelis, I; Johnson van Ceulen, Cornelis; Ceulen, Cornelis Janssen van; Ceulen, Cornelis van; Cuyln, Cornelis Jansen van; Keulen, Cornelius Janson van; Jansans, Cornelis; Janseen, Cornelis; Jansen, Cornelis; Jansens, Cornelis; Jansin, Cornelis; Janson, Cornelis; Janssen, Cornelis; Janssens, Cornelis; Johnson, Cornelis; Gansen, Cornelis; Jansen, Cornelian; Jansens, Cornelious; Jansen, Cornelius; Jansens, Cornelius; Janson, Cornelius; Janssen, Cornelius; Cornelius Janssen; Janssens, Cornelius; Cornelius Janseens; Jonssens, Cornelius; Jonson, Cornelis; Cornelis Jonson; Jonson, Cornelius; Johnson, Cornelius; Cornelius Johnson; Johnson, Cornelius, I; Jonson, Cornelis, I; Jonson, Cornelius, I; Koln Cornelis, I; A. Johnson; C. Lansens; G. Jansens) ( (Record created from: The IMAGINE Thesaurus - The Israel Museum Jerusalem Thesaurus - Artist names authority file) )
Wikipedia description:
Cornelis Janssens (born Cornelis Janssens van Ceulen, Dutch: [kɔrˈneːlɪ ˈɕɑnsəns fɑŋ ˈkøːlə(n)]; bapt. 14 October 1593 – bur. 5 August 1661) was an Anglo-Dutch painter of portraits. Born of Dutch or Flemish parents who fled to London from Antwerp to escape religious persecution, Cornelis Janssens van Ceulen probably trained in the northern Netherlands. Around 1618 he established himself as a portrait painter in London. His signed or monogrammed portraits number several hundred; he is the first English-born painter known to have made so many. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died. Janssens painted many portraits of emerging new English gentry. His early portraits were panel paintings with "fictive" oval frames. His works can be found in major collections in the UK and overseas as well as in private collections in stately homes in Britain. He was an accomplished portrait painter, but lacked the flair of a master such as Anthony van Dyck. His style varied considerably over his career, and he was able to assimilate new influences into his own style without any discordant effect. He was particularly accurate and detailed in his depiction of clothing. He was one of the few artists in England at this time who consistently signed and dated their work.
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