Simon, John, 1925-2019

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Information for Authority record

Name (Latin)
Simon, John, 1925-2019
Other forms of name
Simmon, John, 1925-2019
Simon, John Ivan
Simon, John, 1925-
Date of birth
1925-05-12
Date of death
2019-11-24
Associated country
United States
Yugoslavia
Field of activity
Drama
Occupation
Theater critics
Gender
male
Biographical or Historical Data
Ph.D.
theater critic, film critic
b. May 12, 1925
MARC
MARC

Other Identifiers

VIAF: 109408166
Wikidata: Q6257894
Library of congress: n 79145434
Sources of Information
  • LC catalog, November 27, 2019(usage: John Simon)
  • Washington Post obituaries, November 25, 2019(John Simon; born John Simmon in Subotica, Yugoslavia, on May 12, 1925; later dropped the second "m" from his last name and began using "Ivan" as a middle name; moved to Belgrade; emigrated to the United States in 1941; died in Valhalla, N.Y. on November 24 [2019]; New York theater critic)
  • His Acid test, 1963.
  • Movies into film, 1972:page 4 of cover (John Simon, a drama, book, and film critic ... also a scholar of comparative literature)
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Wikipedia description:

John Ivan Simon (né Simmon; May 12, 1925 − November 24, 2019) was an American writer and literary, theater, and film critic. After spending his early years in Belgrade, he moved to the United States, serving in the United States Army Air Forces during World War II and studying at Harvard University. Beginning in the 1950s, he wrote arts criticism for a variety of publications, including a 36-year tenure as theatre critic for New York magazine, and latterly as a blogger. His reviews were known for their sardonic comments and negative disposition; his obituary in The New York Times called him a "caustic" critic who "saw little that he liked", and The Washington Post reported that a published collection of 245 film reviews that he wrote contained only 15 positive ones. His controversial writing style, which could include harsh remarks about the physical appearances of performers, led to accusations of bigotry, public rebukes from fellow critics, and confrontations with the artists about whom he wrote.

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