Bodanzky, Artur, 1877-1939

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Information for Authority record

Name (Hebrew)
בודנסקי, ארתור, 1877-1939
Name (Latin)
Bodanzky, Artur, 1877-1939
Other forms of name
Bodanzky, Arthur, 1877-1939
Bodansky, Artur, 1877-1939
Date of birth
1877
Date of death
1939
Associated country
Austria
United States
Field of activity
Conducting
Occupation
Conductors (Music)
Gender
male
MARC
MARC

Other Identifiers

VIAF: 59288996
Wikidata: Q714276
Library of congress: no 89002518
OCoLC: oca02475193
Sources of Information
  • Beethoven, L. Fidelio, c1926:t.p. (Artur Bodanzky)
  • Weber, C. Oberon, c1918:t.p. (Arthur Bodanzky)
  • Baker, 7th ed.(Bodanzky, Artur; b. 12-16-1877, Vienna, d. 11-23-39, New York; Austrian conductor; came to U.S. in 1915)
  • Wagner, R. Tristan und Isolde [SR] 195-?:label (Artur Bodansky)
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Wikipedia description:

Artur Bodanzky (also written as Artur Bodzansky) (16 December 1877 – 23 November 1939) was an Austrian-American conductor particularly associated with the operas of Wagner. He conducted Enrico Caruso's last performance at the Metropolitan Opera House on Christmas Eve 1920. The son of Jewish merchants, Bodanzky studied the violin and composition with Alexander Zemlinsky. Bodanzky then became conducting assistant to Gustav Mahler in Vienna, later going on to jobs in Berlin, the Neues Deutsches Theater in Prague (August 1907), where he was briefly a colleague of Otto Klemperer and Mannheim. In 1915 he emigrated to the United States to work for the Metropolitan Opera, being replaced at Mannheim by Wilhelm Furtwängler. He was head of German repertory at the Met, being accepted by Arturo Toscanini on the recommendation of Ferruccio Busoni. In 1921 he was engaged by the New York Philharmonic as a guest conductor. In 1928, Bodanzky announced his resignation from the Met and was replaced by Joseph Rosenstock. However, Rosenstock received such criticism in the press that he himself resigned almost immediately on medical advice, and Bodanzky was rehired, and remained at the Met until his death in 1939. He was approached by Thomas Beecham to conduct at Covent Garden in 1936, but his requested fee of £250 for each performance was considered exorbitant.

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