Watkins, Peter, 1935-

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Information for Authority record

Name (Latin)
Watkins, Peter, 1935-
Date of birth
1935-10-29
Place of birth
Norbiton, Surrey, England
Place of residence/headquarters
Sweden
Canada
Lithuania
France
Occupation
Producers and directors
Motion picture producers and directors
Television producers and directors
Gender
male
MARC
MARC

Other Identifiers

VIAF: 79174199
Wikidata: Q1339491
Library of congress: n 86001555
TAU10: 000490578
Sources of Information
  • IMDb WWW site, April 24, 2013(Peter Watkins; born October 29, 1935, Norbiton, Surrey, England; director, writer, editor)
  • Wikipedia, April 24, 2013(Peter Watkins; English film and television director; born in Norbiton, Surrey, lived in Sweden, Canada and Lithuania for many years, now lives in France; one of the pioneers of docudrama)
  • Welsh, J. M. Peter Watkins, 1986:CIP info. (b. 10/29/35; British filmmaker)

Wikipedia description:

Peter Watkins (29 October 1935 – 30 October 2025) was an English filmmaker, documentarian, writer and film theorist. He is known as a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly concentrated his works and ideas around the mass media and viewers' relation to and participation in a movie or television documentary. Nearly all of Watkins's films used a combination of dramatic and documentary elements to dissect historical occurrences or possible near future events. The first of these, Culloden, portrayed the Jacobite uprising of 1745 in a documentary style, as if television reporters were interviewing the participants and accompanying them into battle. La Commune reenacts the Paris Commune days using a large cast of French non-actors. The War Game (1966) depicts the aftermath of a hypothetical nuclear attack on Great Britain. His other notable works included Edvard Munch, a biographical film of the painter of the same name, and The Journey, a 14-hour essay film about nuclear disarmament. The British Film Institute writes "in an age when the media stranglehold on both our lives and the means by which we communicate is ever tightening, [Watkins] films remain a vital tool for considering new forms of image-making and a vibrant and engaging force in their own right."

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