Mozart, Wolfgang Amadeus, 1756-1791. Concertos, pianos (3), orchestra, K. 242, F major

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Information for Authority record

Name (Latin)
Mozart, Wolfgang Amadeus, 1756-1791. Concertos, pianos (3), orchestra, K. 242, F major
Other forms of name
Mozart, Johann Chrysostom Wolfgang Amadeus, 1756-1791. Concerto, 3 pianos, K. 242, F major
Mozart, Wolfgang Amadeus, 1756-1791. Concertos, pianos (2), orchestra, K. 242, F major
Mozart, Wolfgang Amadeus, 1756-1791. Lodron
Mozart, Wolfgang Amadeus, 1756-1791. Lodron concerto
Mozart, Wolfgang Amadeus, 1756-1791. Lodron-Konzert
MARC
MARC

Other Identifiers

VIAF: 315221484
Wikidata: Q260419
Library of congress: n 82144218
HAI10: 000001968
Sources of Information
  • Köchel, 6. Aufl.(242. Konzert für drei Klavier (Lodron-Konzert); autograph accompanied by an arrangement for 2 pianos, with the inscription in Mozart's hand, "I soli del concerto a tre cembali, accommodati a due")
  • Mozart, W.A. Konzert für drei Klaviere, F-Dur, KV 242, c1973.
  • New York Philharmonic. New York Philharmonic, the historic broadcasts 1923 to 1987. Vol. 2 [SR] p1997:container (Concerto no. 7 in F major for two pianos and orchestra, K. 242) insert (originally for 3 pianos; the 2-piano version is appended to Mozart's autograph)
  • Köchel, 6. Aufl.(242. Konzert für drei Klavier (Lodron-Konzert); autograph accompanied by an arrangement for 2 pianos, with the inscription in Mozart's hand, "I soli del concerto a tre cembali, accomodati a due")
  • New Grove(K. 242. Concerto, Breitkopf & Härtel 7, F, 3 pf, 2 ob, 2 hn, str; also version for 2 pf)
  • Mozart, W.A. Konzerte für ein oder mehrere Klaviere und Orchester mit Kadenzen, Bd. 1, 1972:index (Konzert in F für drei bzw. zwei Klaviere KV 242 ("Lodron-Konzert")) p. viii (composed in Feb. 1776 for Countess Antonia Lodron and her daughters, Aloisia and Josepha; because the latter was a not as able a performer, the 3 solo piano parts of the original version were not treated equally, therefore it is understandable that Mozart later undertook an arrangement for 2 pianos, ca. 1779, in which he was able to sacrifice little of substance)

Wikipedia description:

In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto for three pianos and orchestra in F major, No. 7, K. 242. He originally finished it in February 1776 for three pianos; however, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today. The concerto is often nicknamed "Lodron" because it was commissioned by Countess Antonia Lodron to be played with her two daughters Aloysia and Giuseppa. The concerto is scored for 2 oboes, 2 horns, 3 solo pianos and strings. It has three movements: Girdlestone, in his Mozart and His Piano Concertos, describes the concerto and compares one of the themes of its slow movement to similar themes that turn up in later concertos – especially No. 25, K. 503 – in more developed forms. The first British performance was given by the New Queen's Hall Orchestra at The Proms, Queen's Hall on 12 September 1907. The soloists were Henry Wood, York Bowen and Frederick Kiddle, conducted by Henri Verbrugghen.

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