Bach, Johann Sebastian, 1685-1750. Fantasie und Fuge, organ, BWV 542, G minor

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Information for Authority record

Name (Latin)
Bach, Johann Sebastian, 1685-1750. Fantasie und Fuge, organ, BWV 542, G minor
Other forms of name
Bach, Johann Sebastian, 1685-1750. Fantaisie et fugue, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Fantasia and fugue, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Fantasia e fuga, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Fantasia et fuga, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Fantasy and fugue, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Fantazii︠a︡ i fuga, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Great fantasy and fugue
Bach, Johann Sebastian, 1685-1750. Präludium und Fuge, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Prelude and fugue, organ, BWV 542, G minor
Bach, Johann Sebastian, 1685-1750. Prelude and fugue, organ, S. 542, G minor
Bach, Johann Sebastian, 1685-1750. Prélude et fugue, organ, BWV 542, G minor
Form of work
Canons, fugues, etc.
MARC
MARC

Other Identifiers

VIAF: 176199992
Wikidata: Q2607570
Library of congress: n 81142327
HAI10: 000000149
Sources of Information
  • Schmieder(542, Präludium (Fantasie) und Fuge)
  • Bach, J.S. Neue Bach-Ausg.:Bd. IV/5, p. 167 (Fantasia et fuga in g BWV 542) Krit. Bericht, p. 268 (apparently untitled in 1st ed. (B & H, 1833)) p. 468 (ms. copies have titles: Fantasia e fuga; Fantasia ... Fuga; all existing early mss. call the 1st mvt. Fantasia)

Wikipedia description:

The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter. This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great". Bach's biographer Spitta and some later scholars think that the Fugue was improvised in 1720 during Bach's audition for an organist post at St. James' Church in Hamburg. Assuming this is correct, the theme or subject of the Fugue, a Dutch popular tune (called 'Ik ben gegroet van...'), would have been given to Bach for him to demonstrate his talents as an improviser. It has been suggested that the choice of a Dutch tune was in homage to Johann Adam Reincken, the long-serving organist at St. Catherine's Church, Hamburg, who was born in the Netherlands. During his 1720 trip to Hamburg Bach is believed to have met Reincken, whose music he had known since his teens. The Fantasia may have been composed separately during Bach's time in Köthen (1717–23).

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