Morison, Patricia, 1915-2018

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  • Personality
| System number 987007429038005171

Information for Authority record

Name (Latin)
Morison, Patricia, 1915-2018
Other forms of name
Morison, Eileen, 1915-2018
Morrison, Patricia, 1915-2018
Morison, Patricia, 1915-
Morison, Eileen, 1915-
Morrison, Patricia, 1915-
Date of birth
1915-03-19
Date of death
2018-05-20
Occupation
Actors
Singers
Associated Language
eng
Gender
female
MARC
MARC

Other Identifiers

VIAF: 42051629
Wikidata: Q459871
Library of congress: n 81097897
TAU10: 000584350
Sources of Information
  • New York times WWW site, viewed May 21, 2018(in obituary published May 20: Patricia Morison; Eileen Patricia Augusta Fraser Morison; b. Mar. 19, 1915, Manhattan; d. Saturday [May 19, 2018], West Hollywood, Calif., aged 103; conquered Broadway in the hit musicals Kiss me, Kate and The King and I, after finding limited success in Hollywood)
  • Porter, C.Kiss me, Kate. [Phonodisc] 1959.
  • Notable names in the Amer. theatre(Morison, Patricia; b. Mar. 19, 1915, New York City; actress, singer)
  • Halliwell's, 11th ed.(Morison, Patricia (Eileen Morison) (1915- ))
  • Katz, E. Film enc.(Morison, Patricia (b. Eileen Patricia Augusta Fraser Morison, Mar. 19, 1914, New York City; actress)
  • Perf. arts biog. master index(Morison, Patricia, 1914- (3 entries); Morison, Patricia, 1915- (10 entries))
  • Internet Broadway Database, Dec. 10, 2009(Patricia Morison; aka Patricia Morrison; b. Mar. 19, 1915)
  • Information from 678 converted Dec. 19, 2014(Actress)
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Wikipedia description:

Eileen Patricia Augusta Fraser Morison (March 19, 1915 – May 20, 2018) was an American stage, television and film actress of the Golden Age of Hollywood and mezzo-soprano singer. She made her feature film debut in 1939 after several years on the stage, and amongst her most renowned were The Fallen Sparrow, Dressed to Kill opposite Basil Rathbone and the screen adaptation of The Song of Bernadette. She was lauded as a beauty with large blue eyes and extremely long, dark hair. During this period of her career, she was often cast as the femme fatale or "other woman". It was only when she returned to the Broadway stage that she achieved her greatest success as the lead in the original production of Cole Porter's Kiss Me, Kate and subsequently in The King and I.

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