Gilliat, Sidney

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Information for Authority record

Name (Latin)
Gilliat, Sidney
Other forms of name
Gilliat, S. (Sidney)
Gilliat, Sydney
Gilliatt, Sidney
Gilliatt, Sydney
Date of birth
1908-02-15
Date of death
1994-05-31
Field of activity
Librettos
Motion picture authorship
Motion pictures--Production and direction
Occupation
Producers and directors
Librettists
Motion picture producers and directors
Screenwriters
Associated Language
eng
Gender
male
MARC
MARC

Other Identifiers

VIAF: 102338471
Wikidata: Q505853
Library of congress: n 85144728
HUJ10: 000067710
Sources of Information
  • AMCTV.com biography--Sydney Gilliat(Screenwriter -- Night Train to Munich (1940))
  • The open window, [2014?], opera by Malcolm Arnold:t.p. (libretto by Sydney Gilliat)
  • Launder F. The lady vanishes, c1984:t.p. (Sidney Gilliat)
  • Internet movie database, Mar. 20, 2001(Sidney Gilliat, b. Feb. 15, 1908, d. May 31, 1994; screenwriter)
  • Internet movie database, Sept. 12, 2006(Sidney Gilliat, b. Feb. 15, 1908, Edgeley, England; d. May 31, 1994, Wiltshire, England; sometimes credited as S. Gilliat, Sidney Gilliatt; Night Train to Munich (1940): writing credits: Sidney Gilliat)

Wikipedia description:

Sidney Gilliat (15 February 1908 – 31 May 1994) was an English film director, producer and screenwriter. In the 1930s he worked as a scriptwriter, most notably with Frank Launder on The Lady Vanishes (1938) for Alfred Hitchcock, and Night Train to Munich (1940), directed by Carol Reed. He and Launder made their directorial debut co-directing the home front drama Millions Like Us (1943). From 1945 he also worked as a producer, starting with The Rake's Progress, which he also wrote and directed. He and Launder made over 40 films together, founding their own production company Individual Pictures. While Launder concentrated on directing their comedies, most famously the four St Trinian's School films, Gilliat showed a preference for comedy-thrillers and dramas, including Green for Danger (1946), London Belongs to Me (1948) and State Secret (1950). He wrote the libretto for Malcolm Williamson's opera Our Man in Havana, based on the novel by Graham Greene. He had also worked on the film.

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