Bach, Johann Sebastian, 1685-1750. Neugebor'ne Kindelein

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Information for Authority record

Name (Latin)
Bach, Johann Sebastian, 1685-1750. Neugebor'ne Kindelein
Other forms of name
Bach, Johann Sebastian, 1685-1750. Cantata for Sunday after Christmas, BWV 122
Bach, Johann Sebastian, 1685-1750. Cantata for the Sunday after Christmas, BWV 122
Bach, Johann Sebastian, 1685-1750. Cantatas, BWV 122
Bach, Johann Sebastian, 1685-1750. Cantatas, no. 122
Bach, Johann Sebastian, 1685-1750. Dominica post Nativitatis Christi, BWV 122
Bach, Johann Sebastian, 1685-1750. Kantate am Sonntag nach Weihnachten, BWV 122
Bach, Johann Sebastian, 1685-1750. Kantate am Sonntage nach Weihnachten, BWV 122
Bach, Johann Sebastian, 1685-1750. Kantate zum Sonntag nach Weihnachten, BWV 122
Bach, Johann Sebastian, 1685-1750. New-born Babe
Bach, Johann Sebastian, 1685-1750. Newly born, the little child
Bach, Johann Sebastian, 1685-1750. Newly born, the tiny child
Bach, Johann Sebastian, 1685-1750. Sing we the birth
Bach, Johann Sebastian, 1685-1750. Sing we the birth of God's dear Son
Bach, Johann Sebastian, 1685-1750. Unto the world this happy morn
MARC
MARC

Other Identifiers

VIAF: 180024837
Wikidata: Q3016718
Library of congress: no 90014833
Sources of Information
  • Bach, J.S. Kantate Nr. 122, 19--.
  • Grove music online, April 5, 2020(church cantatas: BWV 122, BC A 19, Das neugeborne Kindelein, chorale (C. Schneegass); S, A, T, B, 4vv, 3 rec, 2 ob, taille, str, bc; first performed December 31, 1724)
  • Schmieder(122. Das neugebor'ne Kindelein)
  • Schmieder, 1990(122. Das neugeborne Kindelein; Kantate am Sonntag nach Weihnachten (Dominica post Nativitatis Christi))

Wikipedia description:

Das neugeborne Kindelein (The newborn little Child), BWV 122, is a church cantata by Johann Sebastian Bach. Bach composed the chorale cantata in six movements in Leipzig for the Sunday after Christmas and first performed it on 31 December 1724. It is based on a 1597 hymn of the same name by Cyriakus Schneegaß. The work is part of Bach's chorale cantata cycle; in the format of this cycle, the text of the first and last stanzas of the hymn is retained unchanged while the text of the inner stanzas was paraphrased by an unknown librettist into a sequence of alternating arias and recitatives. The cantata is opened by a chorale fantasia and closed by a chorale setting. It is scored for four vocal soloists, a four-part choir, and a Baroque instrumental ensemble of recorders, oboes, strings and basso continuo.

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