Semimaru, active 10th century?

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Information for Authority record

Name (Latin)
Semimaru, active 10th century?
Other forms of name
Semimaru, 10th cent.?
Gender
male
MARC
MARC

Other Identifiers

VIAF: 19106567
Wikidata: Q928844
Library of congress: n 2006027084
TAU10: 000201639
Sources of Information
  • Nihon koten bungaku d.j.(Semimaru; legendary poet in Heian period; d of b & d unknown; appears in nō, yōkyoku, jōruri, etc.)
  • Substitute. Cf. PL721.S46
  • Work cat.: Matisoff, Susan. The legend of Semimaru, blind musician of Japan, 2006
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Wikipedia description:

Semimaru also known as Semimaro (蝉丸) was a Japanese poet and musician of the early Heian period. His name is recorded in the Ogura Hyakunin Isshu, but there are no historical accounts of his pedigree. Some accounts say he was a son of Uda Tennō, Prince Atsumi, or that he was the fourth son of Daigo Tennō. There are also claims that he lived during the reign of Ninmyō Tennō. Semimaru was a blind lute player who lived alone in a straw hut in Ausaka, which means "meeting slope". "Ausaka is a slope about five miles east of the center of modern Kyoto. Its apex is a narrow pass through the eastern range of mountains separating Kyoto from the area of Lake Biwa." The emperor established a formal check point barrier, Ausaka no seki, at this summit in 646. Today the place is known as Osaka. A Shinto shrine was built there by the tenth century and eventually became known as Semimaru jinja. Supposedly, on seeing the traffic on the road to the capital, he composed the following waka (和歌) これやこの行くも帰るも別れては 知るも知らぬも逢坂の関 Kore ya kono yuku mo kaeru mo wakaretewa shiru mo shiranu mo osaka no sekiSo this is the place! The crowds, coming, going, meeting, parting; friends, strangers, known, unknown - The Osaka (Ausaka) Barrier (逢坂の関, ausaka no seki).(Ogura Hyakunin Isshu 10) The above waka appears in the imperial anthology Gosen Wakashū. Other Semimaru poems appear in the anthologies Shin Kokin Wakashū, Kokin Wakashū and Shokukokin Wakashū. For this poem, he became known as Seki no Akagami (関の明神). According to the Konjaku Monogatarishū (Book 24, tale 23), for three years Minamoto no Hiromasa travelled from the capital regularly, hoping to hear and meet Semimaru. Finally, they met and Semimaru tutored him in playing the biwa (琵琶) melodies Ryūsen (流泉) and Takuboku (啄木).

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