Solares, Ignacio, 1945-2023
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- Delirium tremens, 1979:t.p. (Ignacio Solares) back cover (b. Ciudad Juárez, Mexico, 1945)
- instance of: human; award received: Guggenheim Fellowship, Xavier Villaurrutia Award, National Prize for Arts and Sciences; country of citizenship: Mexico; educated at: National Autonomous University of Mexico; date of birth: +1945-01-15T00:00:00Z; employer: National Autonomous University of Mexico; given name: Ignacio; place of birth: Ciudad Juárez; occupation: writer; languages spoken or published: Spanish; date of death: +2023-08-24T00:00:00Z; surname: Solares; place of death: Mexico City; field of work: literary activity; alias: Ignacio Antonio Solares Bernal, Ignacio Solares; description/label: écrivain mexicain, escriptor mexicà, escritor mexicano, escritor mexicanu, idazle mexikarra, Mehhiko kirjanik, Mexican writer, mexikanischer Schriftsteller, schrijver uit Mexico, scríbhneoir Meicsiceach, scriitor mexican, scrittore messicano, shkrimtar meksikan, סופר מקסיקני ( (Wikidata, April 24, 2025) )
- His Delirium tremens, 1979:t.p. (Ignacio Solares) back cover (b. Ciudad Juárez, Mexico, 1945)
Wikipedia description:
Ignacio Solares Bernal (15 January 1945 – 24 August 2023) was a Mexican novelist, editor and playwright, whose novel La invasión (The Invasion, 2004) was a bestseller in Mexico and Spain. Until 2005 he served as the Coordinator of Cultural Activities for Literature and Arts at the National Autonomous University of Mexico (UNAM); he was a faculty member there and directed the cultural magazine Revista de la Universidad de México. He formerly served as director of the Department of Theater and Dance and the Division of Literature at UNAM. He also edited the cultural supplement to the weekly magazine Siempre!. Solares is known for mystical occurrences and "dislocations of reality" in his fiction. In Anónimo (Anonymous Note, 1979), a work that has been compared to Kafka's "The Metamorphosis" for its protagonist’s metamorphosis into another person, we see Solares’ rejection of much organized religion (especially the Roman Catholic Church), but his simultaneous search for the transcendent and religious on the borders of human experience. He has written, "I believe in every possible manifestation of spiritual strangeness. I believe in all possible escapes. The only thing I cannot endure is reality, whatever it may be. I believe that the writer is defined by the constant necessity of creating a world, to depart from this world. Literature is more concerned with misery than with happiness. Writing is directly related to frustration. It is a reflection of personal desperation. The writer is profoundly disgusted with his reality."
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