Frankenheimer, John, 1930-2002

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Information for Authority record

Name (Latin)
Frankenheimer, John, 1930-2002
Other forms of name
Frankenheimer, John, 1930-
Date of birth
1930-02-19
Date of death
2002-07-06
Associated country
United States
Field of activity
Motion pictures--Production and direction
Television--Production and direction
Occupation
Producers and directors
Motion picture producers and directors
Television producers and directors
Associated Language
eng
Gender
male
MARC
MARC

Other Identifiers

VIAF: 117354
Wikidata: Q262820
Library of congress: n 86143617
TAU10: 000078929
Sources of Information
1 / 1

Wikipedia description:

John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director, known both for his social dramas and his action/suspense pictures. Among his best-known theatrical film credits are Birdman of Alcatraz, The Manchurian Candidate (both 1962), Seven Days in May, The Train (both 1964), Seconds, Grand Prix (both 1966), The Fixer (1968), The Iceman Cometh (1973), French Connection II (1975), Black Sunday (1977), 52 Pick-Up (1986), and Ronin (1998). His nearly 40 feature films and over 50 plays for television were notable for their influence on contemporary thought. He became a pioneer of the "modern-day political thriller", having begun his career at the height of the Cold War. He won four Emmy Awards – three consecutive – in the 1990s for directing the television movies Against the Wall, The Burning Season, Andersonville, and George Wallace, the last of which also received a Golden Globe Award for Best Miniseries or Television Film. He was inducted into the Television Hall of Fame in 2002. Frankenheimer was technically highly accomplished from his days in live television; many of his films were noted for creating "psychological dilemmas" for his male protagonists along with having a strong "sense of environment", similar in style to films by director Sidney Lumet, for whom he had earlier worked as assistant director. He developed a "tremendous propensity for exploring political situations" which would ensnare his characters. Critic Leonard Maltin writes that "in his time [1960s] ... Frankenheimer worked with the top writers, producers and actors in a series of films that dealt with issues that were just on top of the moment – things that were facing us all."

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