Stanford, Charles Villiers, 1852-1924

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Information for Authority record

Name (Latin)
Stanford, Charles Villiers, 1852-1924
Other forms of name
Standford, Charles Villiers, 1852-1924
Stanford, C. V. (Charles Villiers), 1852-1924
Stanford, Ch. V. (Charles Villiers), 1852-1924
Stanford, Charles Villiers, Sir, 1852-1924
Stanford, C. Villiers (Charles Villiers), Sir, 1852-1924
Drofnatzki, Karel, 1852-1924
Stanford, Ch. V. (Charles Villiers), Sir, 1852-1924
Standford, Charles Villiers, Sir, 1852-1924
Stanford, C. V. (Charles Villiers), Sir, 1852-1924
Drofnatski, Karel, 1852-1924
Date of birth
1852-09-30
Date of death
1924-03-29
Occupation
Composers
Conductors (Music)
Teachers
Associated Language
eng
Gender
male
MARC
MARC

Other Identifiers

VIAF: 32184797
Wikidata: Q368264
Library of congress: n 79127801
OCoLC: oca00359328
Sources of Information
  • Charles Villiers Stanford, 2002:page 446 (Nonsense rhymes (Lear); Stainer & Bell (published under the pseudonym Karel Drofnatzki))
  • His Pages from an unwritten diary, 1914.
  • His Six Irish fantasies, c1894:t.p. (C. Villiers Stanford)
  • Stanford, C.V. Six short preludes and postludes. First set, op. 101, c1907:list t.p. (Sir Charles Stanford, Ch. V. Stanford) caption (C.V. Stanford)
  • New Grove, 2nd ed. WWW site, Sept. 5, 2001(Stanford, Sir Charles Villiers; b. Sept. 30, 1852, Dublin, d. Mar. 29, 1924, London; British composer, teacher and conductor)
  • Magnificat, c1997:t.p. (C.V. Stanford)
  • Terfel, B. Silent noon [SR] p2004:container (Karel Drofnatski (Charles Villiers Stanford)) insert (pseud. adopted by Stanford for his settings of limericks by E. Lear)
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Wikipedia description:

Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music at Cambridge. As a teacher, Stanford was sceptical about modernism, and based his instruction chiefly on classical principles as exemplified in the music of Brahms. Among his pupils were rising composers whose fame went on to surpass his own, such as Gustav Holst and Ralph Vaughan Williams. As a conductor, Stanford held posts with the Bach Choir and the Leeds Triennial Music Festival. Stanford composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. He was a dedicated composer of opera, but none of his nine completed operas has endured in the general repertory. Some critics regarded Stanford, together with Hubert Parry and Alexander Mackenzie, as responsible for a renaissance in music from the British Isles. However, despite his conspicuous success as a composer in the last two decades of the 19th century, his music was eclipsed in the 20th century by that of Edward Elgar as well as former pupils.

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