Gilman, Lawrence, 1878-1939

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Information for Authority record

Name (Latin)
Gilman, Lawrence, 1878-1939
Date of birth
1878-07-05
Date of death
1939-09-08
Place of birth
Flushing (New York, N.Y.)
Place of death
Franconia (N.H.)
Associated country
United States
Occupation
Music critics
Gender
male
MARC
MARC

Other Identifiers

VIAF: 39463847
Wikidata: Q3605628
Library of congress: n 50033409
Sources of Information
  • Grove music online, April 18, 2013(Gilman, Lawrence; born July 5, 1878, Flushing, NY; died September 8, 1939, Franconia, NH; American music critic)
  • His Phases of modern music, 1904.

Wikipedia description:

Lawrence Gilman (July 5, 1878 – September 8, 1939) was an American author and music critic. Lawrence Gilman was the son of Arthur Coit Gilman and Bessie (Lawrence) Gilman, and the grandnephew of educator Daniel Coit Gilman. Lawrence Gilman studied art at Collins Street Classical School in Hartford, Connecticut under William M. Chase. He also taught himself music in theory and practice on several instruments, including organ and piano. From 1896 to 1898, he worked for the New York Herald, then from 1901 to 1913 as a music critic for Harper's Weekly, where he advanced to the position of managing editor. From 1915 to 1923, he worked as a critic in multiple arts for the North American Review, and for the Herald Tribune from 1923 until his death. On August 1, 1904, he married Elizabeth Wright Walter, with whom he had one child, "Betty" Elizabeth Lawrence Gilman in 1905. Gilman earned later notoriety for his scathing negative reviews of compositions that later became known as classics. He described George Gershwin's Rhapsody in Blue, for example, as trite, feeble, conventional, vapid, fussy, futile, lifeless, stale, derivative and inexpressive. He was similarly dismissive of Gershwin's later Porgy and Bess.

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