Weiner, Lawrence

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Information for Authority record

Name (Hebrew)
ויינר, לורנס
Name (Latin)
Weiner, Lawrence
Other forms of name
Weiner, Lawrence, 1942-2021
Date of birth
1942-02-10
Date of death
2021-12-02
Place of birth
New York (N.Y.)
Associated country
United States
Field of activity
Art
Occupation
Artists
Conceptual artist
Gender
male
MARC
MARC

Other Identifiers

VIAF: 12320420
Wikidata: Q680192
Library of congress: n 50020967
Sources of Information
  • Art newspaper, January 2022:page 34 (Lawrence Weiner; died December 2 [2021], aged 79; New York-born conceptual artist)
  • His Statements, 1968.
  • His Werke & Rekonstruktionen, 1983:t.p. (Lawrence Weiner) p. 77 (b. 1942 in Bronx, N.Y.)
  • Info. fr. J. Redel, Bowker, 10-11-90(According to Lawrence Weiner's daughter, his correct birth date is Feb. 10, 1942; his daughter notes that he changed his birth date to 1940 on some documents to get into the armed services at an early age)
  • Ltr. fr. author via distributor, May 12, 1969(Lawrence Charles Weiner; b. Feb. 10, 1940)
  • WWW site for artfacts.net, Mar. 2, 2004:(b. Feb. 10, 1942 in Bronx, New York; American conceptual artist; currently lives in New York City and Amsterdam)
  • LCN note: b. 1942 ( (Record enhanced with data from: The IMAGINE Thesaurus - The Israel Museum Jerusalem Thesaurus - Artist names authority file) )
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Wikipedia description:

Lawrence Charles Weiner (February 10, 1942 – December 2, 2021) was an artist born and raised in New York City. One of the central figures in the formation of Conceptual Art in the 1960s, Lawrence Weiner explored the potentials of language as a sculptural medium. For him language could be presented in any format able to discourse with typical art subjects such as: language installed on a wall, printed as text in a book or catalog, spoken or performed in a film, spoken aloud in conversation, simply remembered, et cetera; as Lawrence explains in 1970:"As to construction please remember that... there is no correct way to construct the piece as there is no incorrect way to construct it. If the piece is built it constitutes not how the piece looks but only how it could look."Weiner divided his time between his studio practice in New York City and his boat, The 'Joma' in Amsterdam. He believed in the importance of making his work non-metaphorical. His goal was to give his viewers the opportunity to use the work towards their own ends. He attempted to make work that crosses cultural boundaries and defines cultural distinctions while the work is frequently translated to suit the idea of place anywhere in world. He participated in public and private projects in the new and old world maintaining that:"ART IS NOT A METAPHOR UPON THE RELATIONSHIPS OF HUMAN BEINGS TO OBJECTS & OBJECTS TO OBJECTS IN RELATION TO HUMAN BEINGS BUT A REPRESENTATION OF AN EMPIRICAL EXISTING FACT"

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