Molnár, Ferenc, 1878-1952

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Information for Authority record

Name (Hebrew)
מולנר, פרנץ, 1878-1952
Name (Latin)
Molnár, Ferenc, 1878-1952
Other forms of name
Molnàr, Francesco, 1878-1952
Molnár, Ferencz, 1878-1952
Neumann, Ferenc, 1878-1952
Molnar, Franz, 1878-1952
מולנאר, פרנץ
Date of birth
1878-01-12
Date of death
1952-04-01
Place of birth
Budapest (Hungary)
Place of death
New York (N.Y.)
Occupation
Authors, Hungarian
Associated Language
hun
Gender
male
Biographical or Historical Data
א. שאנן, מלון הספרות החדשה, תל אביב, תשי"ט. ע' 441-442.
מקום לידה: בודאפשט
מקום לידה: Budapest
תאריך לידה עברי: ח שבט תרל"ח [12.1.1878]
מקום פטירה: ניו-יורק
מקום פטירה: New York
תאריך פטירה עברי: ו ניסן תשי"ב [1.4.1952].
היגר לארצות הברית בשנת תש"י [1950].
MARC
MARC

Other Identifiers

VIAF: 12312633
Wikidata: Q296809
Library of congress: n 79075547
Sources of Information
  • Der teufel, 1908.
  • Egy gazdátlan csónak története, 1913:t.p. (Molnár Ferencz)
  • La fiaba del lupo, 1926:t.p. (Francesco Molnàr)
  • Norumbega WWW site, Aug. 8, 2012:The café society of Ferenc Molnar, July 2008, no. 8-12 (Ferenc Molnár (born Ferenc Neumann and often anglicized as Franz Molnar))
  • Taubert, W. The bird in the wood [SR] 1949:label (F. Neumann)
  • ספר: מחנים, (1940).
  • LCN
  • Record enhanced with data from Bibliography of the Hebrew Book database
  • Ujvari Peter Magyar Zsido Lexikon, Budapest 1929, p. 611-612
  • American Jewish year book, 54, 1953 p. 540
  • Lexikon der Weltliteratur, I, Stuttgart 1963, S. 925-926.
  • א' שאנן, מלון הספרות החדשה, תל-אביב תשי"ט, עמ' 441-442
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Wikipedia description:

Ferenc Molnár (US: FERR-ents MOHL-nar, -⁠ənts -⁠, -⁠ MAWL-, Hungarian: [ˈfɛrɛnt͡s ˈmolnaːr]; born Ferenc Neumann; January 12, 1878 – April 1, 1952), often anglicized as Franz Molnar, was a Hungarian-born author, stage director, dramatist, and poet. He is widely regarded as Hungary's most celebrated and controversial playwright. His primary aim through his writing was to entertain by transforming his personal experiences into literary works of art. While he never connected to any one literary movement, he did use the precepts of naturalism, neo-romanticism, expressionism, and Freudian psychoanalytic theories, so long as they suited his desires. According to Clara Györgyey, “By fusing the realistic narrative and stage tradition of Hungary with Western influences into a cosmopolitan amalgam, Molnár emerged as a versatile artist whose style was uniquely his own." As a novelist, Molnár is perhaps remembered best for The Paul Street Boys, the story of two rival gangs of youths in Budapest. It has been translated into 42 languages and adapted for the stage and film. It has been considered a masterpiece by many. However, it was as a playwright that he made his most significant contribution and how he is best known internationally. For Györgyey, "In his graceful, whimsical, sophisticated drawing-room comedies, he provided a felicitous synthesis of naturalism and fantasy, realism and romanticism, cynicism, and sentimentality, the profane and the sublime." Of his many plays, The Devil, Liliom, The Swan, The Guardsman, and The Play's the Thing endure as classics. His influences included luminaries such as Oscar Wilde, George Bernard Shaw, and Gerhart Hauptmann. Molnár's plays continue to be performed world-wide. His national and international fame has inspired many Hungarian playwrights, including Elemér Boross, László Fodor, Lajos Bíró, László Bús-Fekete, Ernő Vajda, Attila Orbók, and Imre Földes, among others. He immigrated to the United States to escape the persecution of Hungarian Jews during World War II and later adopted American citizenship. He died in New York City.

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