Garcia Lorca, Federico, 1898-1936. Casa de Bernarda Alba

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Information for Authority record
Name (Latin)
Garcia Lorca, Federico, 1898-1936. Casa de Bernarda Alba
Other forms of name
Garcia Lorca, Federico, 1898-1936. La casa de Bernarda Alba
Garcia Lorca, Federico, 1898-1936. The house of Bernarda Alba
Garcia Lorca, Federico, 1898-1936. House of Bernarda Alba
Form of work
Drama
MARC
MARC
Other Identifiers
VIAF: 175923703
Wikidata: Q822850
Library of congress: n 2018034266
Sources of Information
  • LaChiusa, M.J. Bernarda Alba, ℗2006:container (based on the play The house of Bernarda Alba by Federico García Lorca)
  • Garcia Lorca, Federico, Four major plays, 1997:t.p. (Translated by John Edmunds) table of contents (The house of Bernarda Alba)
  • The house of Bernarda Alba, 1999 :t.p. (new version translated by Rona Munro)
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Wikipedia description:

The House of Bernarda Alba (Spanish: La casa de Bernarda Alba) is a play by the Spanish dramatist Federico García Lorca. Commentators have often grouped it with Blood Wedding and Yerma as the Rural Trilogy. García Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder). García Lorca described the play in its subtitle as a drama of women in the villages of Spain. The House of Bernarda Alba was García Lorca's last play, completed on 19 June 1936, two months before his assassination during the Spanish Civil War. The play was first performed on 8 March 1945 at the Avenida Theatre in Buenos Aires. The play centers on the events of a house in Andalusia during a period of mourning, in which Bernarda Alba (aged 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio (24), and Adela (20). The housekeeper (Poncia) and Bernarda's elderly mother (María Josefa) also live there. The deliberate exclusion of any male character from the action helps build up the high level of sexual tension that is present throughout the play. Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never appears on stage. The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women.

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