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Making It Like a Man [electronic resource]

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Making It Like a Man: Canadian Masculinities in Practice is a collection of essays on the practice of masculinities in Canadian arts and cultures, where to “make it like a man” is to participate in the cultural, sociological, and historical fluidity of ways of being a man in Canada, from the country’s origins in nineteenth-century Victorian values to its immersion in the contemporary post-modern landscape. The book focuses on the ways Canadian masculinities have been performed and represented through five broad themes: colonialism, nationalism, and transnationalism; emotion and affect; ethnic and minority identities; capitalist and domestic politics; and the question of men’s relationships with themselves and others. Chapters include studies of well-known and more obscure figures in the Canadian arts and culture scenes, such as visual artist Attila Richard Lukacs; writers Douglas Coupland, Barbara Gowdy, Simon Chaput, Thomas King, and James De Mille; filmmakers Clement Virgo, Norma Bailey, John N. Smith, and Frank Cole; as well as familiar and not-so-familiar tokens of Canadian masculinity such as the hockey hero, the gangsta rapper, the immigrant farmer, and the drag king. Making It Like a Man is the first book of its kind to explore and critique historical and contemporary masculinities in Canada with a special focus on artistic and cultural production and representation. It is concerned with mapping some of the uniquely Canadian places and spaces in the international field of masculinity studies, and will be of interest to academic and culturally informed audiences.

Title Making It Like a Man [electronic resource] : Canadian Masculinities in Practice / Christine Ramsay, editor.
Publisher Waterloo, Ont. : Wilfrid Laurier University Press
Creation Date c2011
Notes Includes bibliographical references and index.
English
Content Front Matter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Identity, Agency, And Manliness In The Colonial And The National -- Carnival and Masculinity in the Travel Fiction of James De Mille -- “No Money, but Muscle and Pluck”: Cultivating Trans-Imperial Manliness for the Fields of Empire, 1870–1901 -- Who’s on the Home Front? Canadian Masculinity in the NFB’s Second World War Series “Canada Carries On” -- Emotional Geographies of Anxiety, Eros, and Impairment -- Making Art Like a Man! -- “Above Mere Men”: The Heterogeneous Male in Attila Richard Lukacs -- Stranger Than Paradise: Immigration and Impaired Masculinities -- The Minority Male -- The “Hood” Reconfigured: Black Masculinity in Rude -- “Keepin’ It Real”? Masculinity, Indigeneity, and Media Representations of Gangsta Rap in Regina -- Fixing Stories “Is Sure a Lot of Work”: Watching “the Men’s Dance” in Medicine River and Green Grass, Running Water -- Masculinity in a Minority Setting: The Emblematic Body in Simone Chaput’s Le coulonneux -- Capitalized, Corporatized, Compromised Men -- The Politics of Marginalization at the Centre: Canadian Masculinities and Global Capitalism in Douglas Coupland’s Generation X -- Dangerous Homosexualities and Disturbing Masculinities: The Disabling Rhetoric of Difference in Barbara Gowdy’s Mister Sandman -- Abject Masculinities -- What Do Heterosexual Men Want? Or, “The (Wandering) Queer Eye on the (Straight) Guy” -- Boy to the Power of Three: Toronto’s Drag Kings -- Life Without Death? Space, Affect, and Masculine Identity in the Work of Frank Cole -- Bibliography -- Biographical Notes -- Index -- Books in the Cultural Studies Series
Series Cultural studies series
Extent 1 electronic text (xxx, 341 p.) : ill. (some col.), digital file.
Language English
National Library system number 997010706771805171
MARC RECORDS

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