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Mapping paradigms in modern and contemporary art
Enlarge text Shrink text"'Mapping Paradigms in Modern and Contemporary Art' defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the 'spatial turn' of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography."-- Provided by publisher.
| Title |
Mapping paradigms in modern and contemporary art : poetic cartography / Simonetta Moro. |
|---|---|
| Publisher |
New York, NY : Routledge, an imprint of the Taylor & Francis Group |
| Creation Date |
2022 |
| Notes |
Includes bibliographical references and index. |
| Content |
List of figures -- Acknowledgments -- Introduction : The question of mapping -- Part I. Archaeologies -- 1. Travelers without maps -- 2. Cartography in the age of the world picture -- Part II. Topologies -- 3. Topologies of difference -- 4. Carto-aesthetics : Modalities of art making -- 5. Poetic cartography as nomadic mapping -- Conclusion : After the end of the world picture. For a future carto-aesthetics -- Appendix : Mapping in the time of global pandemic -- Bibliography -- Index. |
| Series |
Routledge advances in art and visual studies |
| Extent |
xii, 204 pages : illustrations (some color), maps (some color) 26 cm. |
| Language |
English |
| Copyright Date |
©2022 |
| National Library system number |
997010339384705171 |
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