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As you like it

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As You Like It has sometimes seemed a subversive play that exposes the instability of gender roles and traditional values. In other eras it has been prized - or derided - as a reliable celebration of conventional social mores. The play's ability to encompass these extremes tells an interesting story about changing cultural and theatrical practices. This edition provides a detailed history of the play in production, both on stage and on screen. The introduction examines how changing conceptions of gender roles have affected the portrayal of Rosalind, one of Shakespeare's greatest comic heroines. The striking differences between the British tradition and the freer treatment the play has received abroad are discussed, as well as the politics of court versus country. The commentary, printed alongside the New Cambridge Shakespeare edition of the text, draws on primary sources to illuminate how costuming, stage business, design, and directorial choices have shaped the play in performance.

Title As you like it / edited by Cynthia Marshall. [electronic resource]
Edition 1st ed.
Publisher Cambridge : Cambridge University Press
Creation Date 2004
Notes Title from publisher's bibliographic system (viewed on 26 Aug 2019).
Includes bibliographical references (p. 247-256) and index.
English
Content SERIES EDITORS' PREFACE
ACKNOWLEDGEMENTS
ABBREVIATIONS
PRODUCTIONS
INTRODUCTION
Peculiarities of the play as a performance piece
Seventeenth century
Charles Johnson's 'Love in a Forest'
Eighteenth century: romping actresses and the struggle for decorum
Dora Jordan: 'spirit of enjoyment'
Into the nineteenth century: opera, spectacle, and a new Rosalind
Kemble's revisions
Macready's restorations
Helena Faucit: Rosalind 'ethereally embodied'
Charles Kean and the growth of pictorial staging
Charlotte Cushman: a Tiresian Ganymede Samuel Phelps and the conventional Jaques
Victorian excesses
Scenic illusionism: Hare-Kendal's stage grass and Sullivan's stuffed stag
Moral entertainment
The feminine ideal
Other Rosalinds
Augustin Daly's triumph
Turn of the century: transition to a freer Arden
Oscar Asche's greenhouse
Nigel Playfair's break with scenic illusionism
Open-air Arden
The play settles in
Early film versions
Foreign productions
Vanessa Redgrave: 'a Rosalind to remember'
Clifford Williams: sexless love
Experiments in the 1960's and 1970's
BBC television
Peter Stein's journey to Arden Adrian Noble and gender-bending in the 1980's
Christine Edzard's dystopic Arden
Cheek by Jowl
Shakespeare's Globe
LIST OF CHARACTERS
AS YOU LIKE IT
ACT 1, SCENE 1
ACT 1, SCENE 2
ACT 1, SCENE 3
ACT 2
ACT 3, SCENE 1
ACT 3, SCENE 2
ACT 3, SCENE 3
ACT 3, SCENE 4
ACT 3, SCENE 5
ACT 3, SCENE 6
ACT 4, SCENE 1
ACT 4, SCENE 2
ACT 4, SCENE 3
ACT 5, SCENE 1
ACT 5, SCENE 2
ACT 5, SCENE 3
ACT 5, SCENE 4
[EPILOGUE]
BIBLIOGRAPHY
INDEX
Series Shakespeare, William, 1564-1616. Shakespeare in production.
Shakespeare in production
Extent 1 online resource (xxii, 262 pages) : digital, PDF file(s).
Language English
National Library system number 997007876764105171
MARC RECORDS
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