Hi {{firstName}}!You have successfully registered for the National Library of Israel and we are happy to have you here!The e-mail message has now been sent to the address you entered. To complete the registration and activate the account, click the link in the e-mail messages.
Hi ,You have successfully registered for the National Library of Israel and we are happy to have you here!To order books and to enjoy the services of the library, we will need a few more details.
Hi , You may now order books from the library. Happy reading!
Forgot password?
Enter your email address and we'll send you a password recovery link:
Writings through John Cage's music, poetry, and art
Enlarge textShrink text
Book
This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to discuss his homosexuality, to his work as a performer and musician, and his forward-looking, provocative experimentation with electronic and other media. Several of the essays draw upon previously unseen sketches and other source materials. Also included are transcripts of lively panel discussions among some of Cage's former colleagues. Taken together, this collection is a much-needed contribution to the study of one of the most significant American artists of the twentieth century.
Title
Writings through John Cage's music, poetry, and art / edited by David W. Bernstein and Christopher Hatch.
Proceedings from the conference entitled "Here Comes Everybody: The Music, Poetry, and Art of John Cage" which took place at Mills College in Oakland, Calif. from November 15 to 19, 1995. Includes index. Includes bibliographical references and index.
Content
"In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma [and others] -- Cage and the computer " a panel discussion / James Pritchett [and others] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner.
Extent
x, 310 pages : illustrations 24 cm.
Language
English
National Library system number
990043618750205171
תנאי השימוש:
Prohibition of copying
It may be prohibited to copy and use of the item for purposes of reproduction, publication, distribution, public performance, broadcasting, dissemination via the internet or by any other means, and creating a derivative work of the item (for example, translation, modification or adaptation) in any form or by any means, including digital or analog media, without prior agreement of the copyright owner and/or the owner of the collection.
Additional information: The item may be subject to copyright and/or terms of agreement.
If you believe that there is an error in the information above, or in case of any concern of copyright infringement in connection with this item, contact us using the Inquiry for Copyright form.