בחרו את שפת העמוד:
שפה נוכחית
Celtic modern
להגדלת הטקסט להקטנת הטקסט- ספר
This resource offers an opportunity to reflect critically on some of the insistent 'othering' that has accompanied much cultural production in and on the Celtic World, and that have prohibited serious critical engagement with what are sometimes described as the 'traditional' and 'folk' music of Europe.
| כותר |
Celtic modern : music at the global fringe / edited by Martin Stokes, Philip V. Bohlman. |
|---|---|
| מהדורה |
1st ed. |
| מוציא לאור |
Lanham, MD Oxford : Scarecrow Press |
| שנה |
2003 |
| הערות |
Description based upon print version of record. Includes bibliographical references and index. English |
| הערת תוכן ותקציר |
Cover Title Page Copyright Page Table of Contents Acknowledgments Introduction 1: Shared Imaginations: Celtic and Corsican Encounters in the Soundscape of the Soul 2: Celtic Australia: Bush Bands, Irish Music, Folk Music, and the New Nationalism 3: Diasporic Legacies: Place, Politics, and Music among the Ottawa Valley Irish 4: Policing Tradition: Scottish Pipe Band Competition and the Role of the Composer 5: Tradition and Imaginary: Irish Traditional Music and the Celtic Phenomenon 6: ""Home is Living Like a Man on the Run"": John Cale's Welsh Atlantic 7: The Apollos of Shamrockery: Traditional Musics in the Modern Age8: ""Celtitude,"" Professionalism, and the Fest Noz in Traditional Music in Brittany 9: ""You Cannae Take your Music Stand into a Pub"": A Conversation with Stan Reeves about Traditional Music Education in Scotland 10: Afterword: Gaelicer than Thou Index About the Contributors |
| סדרה |
Europea no. 1 |
| היקף החומר |
1 online resource (302 p.) |
| שפה |
אנגלית |
| מספר מערכת |
997010703458405171 |
תצוגת MARC
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